Syrian pianist discovers ‘soft power of music’

Friday 29/05/2015
Syrian-American pianist and composer, Malek Jandali on stage on May 16th in Dubai

Dubai - Malek Jandali may only have been alive for four decades but the award-winning com­poser insists he feels ancient, having revived some of the oldest melodies from his war-torn Syrian homeland.
“I’m 8,000 years old,” said the pi­anist, in the middle of a world tour he hopes will spread “peace and freedom”. Jandali left Syria three years ago, just as civil war was tear­ing the country apart.
A winner of the 2014 Global Mu­sic Awards gold medal, Jandali has for years sought to uncover ancient melodies for modern audiences but says he is now focused on the fu­ture, both in terms of composition and for the land of his upbringing.
Born in Germany, Jandali grew up in the central Syrian city of Homs, once dubbed the “capital of the revolution” by activists, before win­ning a scholarship to study in the United States.
Soon after Syria’s uprising started in March 2011, the 42-year-old pia­nist and composer performed at a demonstration in front of the White House.
His initiative prompted pro-re­gime armed groups to attack his elderly parents in their home in Homs. They later fled to the United States.
Jandali said it was this attack that helped him discover “the soft pow­er of music”.
“The Syrian people are paying a very heavy price,” he said.
Jandali is aware that music alone can do little to alter the situation but “it’s raising much-needed hu­manitarian aid and much-needed awareness”.
His latest album Syrian Sympho­ny, released in January, contains melodies “inspired by the chants of the Syrian people” during their protests against President Bashar Assad’s regime.
“I was always trying to… involve my own Syrian identity which is now being targeted… destroyed,” Jandali said. “My duty as an artist is to preserve and present it in the most elegant way.
“I don’t comprehend politics or religion,” said the pianist, a twinkle in his intense brown eyes. “My mes­sage is of peace, unity, humanity and justice.”
Although he is accompanied by Syrian oud player Abdulrahim Al­siadi and US cellist Laura Metcalf, Jandali still complains about re­strictions imposed due to the politi­cal climate at some venues.
“During my world tour, I faced many disturbing incidents of cen­sorship, such as deleting the word ‘free’ from my (tour) title — The Voice of the Free Syrian Children — in some countries,” he said.
The tour was inspired by children Jandali met after he crossed illegal­ly into his country in 2012 — his last time in Syria.
Before the war, Jandali’s career often drew on historical composi­tions of his homeland. His 2008 album Echoes from Ugarit includes melodies based on “the oldest mu­sical notation in the world”, discov­ered on a clay tablet in that ancient Syrian city.
“We wouldn’t have had Lady Gaga or Michael Jackson or even Beethoven without the musical no­tations of Ugarit,” he said.
His award-winning work Enessa was played at the funeral of Ameri­can war reporter Marie Colvin, who was killed in Syrian army shelling on Homs in 2012.
“I went to the church and I heard my music, the music of Homs” played at the funeral. “I still get goosebumps.”
When asked about extremist or­ganisations that have emerged from Syria’s war, such as the Islamic State (ISIS) jihadist group, Jandali in­sisted that “the Syrian people have throughout history, and even today, embraced all religions and all cul­tures.
“We have synagogues. We have the oldest churches on Earth where you can still hear the prayer in Ara­maic (the language thought to have been spoken by Jesus).”
Among the tracks in his latest al­bum is Samai al-Nahawand, writ­ten by 19th-century Muslim scholar Sheikh Ali al-Darwish.
“This is the true Syrian sheikh, who was a composer spreading mu­sic and documenting and preserv­ing his rich Syrian identity through music,” he said.
For Jandali, Darwish represents the “real” message of Islam — “peace.”
Despite the war that has cost more than 220,000 lives, Jandali sees “a much more beautiful Syria” in the future.
“What we are seeing today is the rebirth of the Syrian identity,” he said. “People are dancing, funer­als are becoming weddings, people are celebrating heroes rather than mourning them.”
While he “loves” his US citizen­ship and the freedoms that come with it, he remains rooted — both emotionally and through his work — in Syria.
“My memories, my grandfather’s grave, my home. I live in Homs,” said Jandali.
“I know they kicked us out, I know they destroyed my home. I know they are trying to eradicate my true cultural identity but we are becoming a much more beautiful Syrian symphony today.”

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