Lebanon’s Jeita, a natural wonder waiting to be discovered

Friday 10/07/2015
Rock formations and underground river of the lower cave at Jeita Grotto cave complex.

Beirut - “It was like a firework of hap­piness and joy… We fell into each other’s arms and started jumping like kids.” With these words, 85-year-old Lebanese cave explorer Sami Karkabi recalled the reaction of his team when they first saw the upper gallery of Lebanon’s Jeita Grotto in the 1950s.
“It is the most beautiful show cave in the world. It is a wonder,” said Karkabi, a co-founder of the Spéléo Club du Liban (SCL). Estab­lished in 1951, SCL is the oldest cav­ing club in the Middle East.
Karkabi was driven by curiosity when he decided to climb a 10-me­tre-high cornice in the cave, which led to the discovery of the upper gallery in 1958.
“We used a telescopic mast to reach that ledge and then the mar­vellous foundations of limestone stalagmites and stalactites started unfolding in front of our eyes. It took us two days to complete the visit of the whole upper gallery,” Karkabi said.
Jeita Grotto, a tourism landmark in Lebanon, was a candidate in 2011 to become one of the seven natural wonders of the world. From a list of 440 sites in 220 countries, the Leba­nese wonder reached the final stage with 13 other contenders but wasn’t selected for the list.
Signs of the existence of the grotto, which has two galleries, in­cluding a lower one that follows the course of an underground river, were reported in 1836 by an Ameri­can, Reverend William Thomson, who ventured some 50 metres into the cave, stopping at the edge of the water.
Some 40 years later, American W.J. Maxwell, ventured deeper into the cave, following the river stream about 1,060 metres into the moun­tain.
Many other expeditions were un­dertaken by Americans, British and French cavers, in addition to Leba­nese explorers, including Karkabi, who ventured as far as 6,200 metres into the lower gallery, which is com­monly referred to as the “water gal­lery”.
Karkabi recalled how he pushed further the exploration of the “wa­ter gallery” after fellow cavers, Li­onel Ghorra and Albert Anavy, were discouraged by a cliff at 2,800 me­tres deep.
“In 1946 Ghorra and Anavy reached a spectacular room which they baptised as the ‘Dome Room’ but they hit a cliff, which they es­timated to be probably 40 metres high and thought it was off the limit of human capacities,” he said.
“Pushed by my curiosity, I im­ported a special telescopic mast from France and managed with my team to climb that obstacle, which turned out to be only 12 me­tres high,” Karkabi said. His exploit opened the way for cavers to pro­gress into the grotto and reach the “terminal sump” at 6,200 metres from the entrance in 1954.
Karkabi recalls the risks and dif­ficulties cavers faced at the time, “Our equipment was rudimentary, as we had no wetsuits to protect us from the cold and we were us­ing candles for the light, instead of headlights,” he said.
“It took us many days to do the mapping of the cavern. It happened that in one instance, we had to stay underground for more than one week in a row without seeing day­light,” he said, boasting that they “never had a single accident”.
SCL was entrusted to transform Jeita into a show cave. The work, involving the construction of al­leyways and bridges in the upper gallery, started in 1967 under the supervision of artist and sculptor architect Ghassan Klink. The grotto was opened to the public in 1969.
“To protect the calcite formations from dust during the work we had to cover them with plastic sheath­ing,” Karkabi said. “Stalactites, stalagmites and other marvellous shapes take thousands of years to develop and grow; breaking one or polluting it could lead to its death.”
For Karkabi the showcasing of Jei­ta is unfinished. Visitors have access to only 200 metres of the more than 6-kilometre-deep “water gallery”. “It’s a shame not to share more from this extraordinary artwork of nature with the public,” he said, noting that “visitors should be able to reach 2,000 metres had the work been done by the government”.
Lebanon is widely known for its richness in caves, which are usu­ally caused by the wide coverage of carbonate rocks of the country’s surface area, fracturing and fault­ing due to tectonic activities and the high rate of precipitation. Rain­water attacks carbonate rock, dis­solving it along fractures and faults, forming caves.
Karkabi says he is disappointed with the “lack of enthusiasm” of new SCL members in discovering new places. “They are not active enough to make things evolve even though they have all the facilities and advanced technology,” he said.
Joey Abou Jawdeh, a young ar­chitect and member of the club, ac­knowledged SCL’s decreasing activ­ities, pointing out that the club has 60 members but only 20 are active.
Nonetheless, Abou Jawdeh said, the club is credited for the discovery of several caves and 60 new sink­holes with depths of 15-60 metres in the area of Jaij in Mount Lebanon. “In Lebanon, we have more than 700 caves and sink holes listed, many of which are unexplored,” he said. Caving in Lebanon has become a popular sport in the last decade. Trips into caves range from simple touristic activities to complicated extreme sports.
Touristic caves such as Jeita and Qadisha are a walk through beauti­ful scenery. But adventure lovers, who are driven by the exhilaration of facing the unknown, can venture with SCL teams into caves that are not equipped for touristic purposes but are sites for eco-tourism. Those sites include Roueiss, Nabaa el Qana and Mgharet Nabaa el Mghara in the northern part of Mount Lebanon.
Definitely, Lebanon has many wonders in its belly waiting to be discovered.

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